Another Love Story

Mike Parillo

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Options 30" x 36"~21 limited-edition signed
  • 30" x 36"~21 limited-edition signed
Price $429.00

30" x 36"
21 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on canvas
Summer 2010

Another Love Story is a quickly painted, personal homage that really allows the viewer to imagine the meaning of the title. Enjoy the color and subject matter to create a little fairytale for yourself.

It was painted in my Jackson studio in the summer of 2010, and remains a personal favorite.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Beauty and The Beast

Jamie Lynn

Options
Options 18" x 23" ~ Edition Sold Out
  • 18" x 23" ~ Edition Sold Out
Price $225.00

EDITION SOLD OUT

18" x 23"
30 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Masonite
2004

This painting is yet another example of Jamie's ongoing study of the female form and holds true to his classic color scheme. These pieces have undoubtedly become as iconic in snowboarding as the artist and legend himself. The use of negative space and his cat Cole in this piece have, in his words, made it one of his all time favorite board graphics. Anyone following Jamie or Lib Tech through the years would most likely agree that these studies are some of his strongest works. This is Jamie at his best, with elegant curves, a subject matter that's easy on the eyes, his straight forward approach, and vibrant color.

Jamie M. Lynn is one of the most universally respected, iconic snowboarders of all time. His influence can be seen everywhere in snowboarding, from the way we ride, to the way we think about the art that covers our boards. In the early nineties he brought a power and style to riding mountains that directly shaped the direction and nature of the sport's evolution. Drawing inspiration from skate legends like Neil Blender and Mark Gonzales, he was the first snowboarder to create his own graphics for his pro-model board, and continues to do so to this day. His artistic aesthetic has influenced countless young, aspiring artists over the last two decades.

Jamie is a creative force, no matter what the instrument, be it paintbrush, snowboard, or guitar. A true son of the Pacific Northwest, he is a soft-spoken man with a humble spirit and a huge heart. He lives in Seattle, Washington.

Blessings and Confrontations at the Circus Contradiction

Mike Parillo

Options
Options 19.5"x24"~100 limited-edition signed
  • 19.5"x24"~100 limited-edition signed
  • 36"x44"~80 limited-edition signed
  • 50"x60"~60 limited-edition signed
Price $179.00

19.5" x 24"
100 limited-edition signed and numbered prints

36" x 44"
80 limited-edition signed and numbered prints

50" x 60"
60 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic, Pencil, Ballpoint Pen, and Paint Pen on Canvas
Summer 2005

This painting marks the start of my friendship with Travis Rice. I was living in Echo Park, California, which at the time was basically East L.A. Travis came to hang out with me in the ghetto so we could collaborate on an art piece for his 2006/07 pro-model board graphic. He had an idea for a balance-and-conflict theme, gave me pretty simple verbal guidelines to use as a starting point, and let me spin off on my own from there.

I spent weeks compiling ideas for images, trying to figure out ways to put them all together in a visual storytelling motif. It took more than three months for me to balance these images in a way that I felt told the right story for the theme. I painted and repainted the same canvas more times than I can count, covering old ideas with new ones until I got to what became the final piece.

This is my favorite work that I have ever created. The original lives in Travis' house now and is the centerpiece of his art collection.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Blue Girl

Jamie Lynn

Options
Options 15.5"X24"~100 limited-edition signed
  • 15.5"X24"~100 limited-edition signed
  • 33"x50.5"~70 limited-edition signed
Price $169.00

15.5" x 24"
100 limited-edition signed and numbered prints

33" x 50.5"
70 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Masonite
2002

This painting is basically a study of a woman's form and shape. I really like the way that the gray bleeds into the hair and the bikini and provides this simplistic contrast. And I like that the colors are kind of subtle and calm, so it's strong but still easy on the eyes.

Throughout the year I paint things that are just for myself. Then, in September, we'll scan in all these different paintings and lay them out to see what works on a snowboard. For snowboard graphics you want something underneath your feet that you'll want to look at all year long while you're riding. Personally, I really couldn't think of a better image to have on the top of a board than this.

33" x 50.5"
70 limited-edition signed and numbered prints

15.5" x 24"
100 unsigned prints

Jamie M. Lynn is one of the most universally respected, iconic snowboarders of all time. His influence can be seen everywhere in snowboarding, from the way we ride, to the way we think about the art that covers our boards. In the early nineties he brought a power and style to riding mountains that directly shaped the direction and nature of the sport's evolution. Drawing inspiration from skate legends like Neil Blender and Mark Gonzales, he was the first snowboarder to create his own graphics for his pro-model board, and continues to do so to this day. His artistic aesthetic has influenced countless young, aspiring artists over the last two decades.

Jamie is a creative force, no matter what the instrument, be it paintbrush, snowboard, or guitar. A true son of the Pacific Northwest, he is a soft-spoken man with a humble spirit and a huge heart. He lives in Seattle, Washington.

SKIN: BREATHING LIGHT

Scott Lenhardt

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Options iPad Skin
  • iPad Skin
  • 13" skin
  • 15" skin
  • 17" skin
Price $25.00

ASYMBOL LAPTOP SKINS: Breathing Light by Scott Lenhardt

Does your laptop look like everyone else's in the coffee shop? Asymbol now offers beautifully designed adhesive art that make your Mac or PC stand out from the crowd. Our laptop skins are made of high quality coated adhesive vinyl printed at an ultra high resolution. These functional works of art protect your rig from abrasion, scratches and wear. They are easy to apply and when you need a change up, they come off leaving no residue.

13", 15" and 17" sizes available

CLICK HERE to watch video of Scott Lenhardt on his piece, "Breathing Light"

Scott Lenhardt grew up riding at Bromley, the mountain resort founded by Fred Pabst, of Pabst Blue Ribbon. He played bass for ten years in Vermont's best mediocre rock band, Butt Pie, and is the inventor of the highly difficult, and incredibly underrated snowboard trick, the McWindmill. Scott's talent, and ability to paint using ridiculously small brush strokes, has been recognized and commissioned by Burton, Nike, Adidas, Mountain Dew, and Phish guitarist Trey Anastasio. Scott has two nicknames. One is Skipper. The other has to remain a secret.

>>slenhardt.com

SKIN: CHAMPAGNE SUPERNOVA

Nick Russian

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Options iPad Skin
  • iPad Skin
  • 13" skin
  • 15" skin
  • 17" skin
Price $25.00

ASYMBOL LAPTOP SKINS: Champagne Supernova by Nick Russian

Does your laptop look like everyone else's in the coffee shop? Asymbol now offers beautifully designed adhesive art that make your Mac or PC stand out from the crowd. Our laptop skins are made of high quality coated adhesive vinyl printed at an ultra high resolution. These functional works of art protect your rig from abrasion, scratches and wear. They are easy to apply and when you need a change up, they come off leaving no residue.

13", 15" and 17" sizes available

If you were snowboarding in the early nineties, and were lucky enough to have a Lib Tech snowboard with an original custom-painted art top, Nick Russian was the man who decorated your board. An artist since grade school, and skateboarder since the age of 13, Nick's creative roots are deeply buried in skate-culture soil. He went to work for Mervin Manufacturing in 1991, where his experimentation with multiple mediums, ideas, and art techniques lead him to develop an artistic style that has adorned the bases and top sheets of a ridiculous number of snowboards. Basically, if you've seen a Lib Tech board, you've seen Nick Russian's work.

Nick currently lives in Port Angeles, Washington with his wife and two kids. He paints constantly, using a wide range of mediums, from acrylic to oil to watercolor to collage, but thinks that his work as a bike messenger in Seattle in 1999 was truly the greatest thing he's ever done.

SKIN: RED FLAGS

Mike Parillo

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Options iPad Skin
  • iPad Skin
  • 13" skin
  • 15" skin
  • 17" skin
Price $25.00

ASYMBOL LAPTOP & iPAD SKINS: Red Flags by Mike Parillo

Does your laptop look like everyone else's in the coffee shop? Asymbol now offers beautifully designed adhesive art that make your Mac or PC stand out from the crowd. Our laptop skins are made of high quality coated adhesive vinyl printed at an ultra high resolution. These functional works of art protect your rig from abrasion, scratches and wear. They are easy to apply and when you need a change up, they come off leaving no residue.

13", 15" and 17" sizes available

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Craig Kelly Mural

Scott Lenhardt

Options
Options 34.5"x17"~100 limited-edition signed
  • 34.5"x17"~100 limited-edition signed
  • 44"x21.5"~80 limited-edition signed
  • 76"x36"~60 limited-edition signed
Price $189.00

34.5" x 17"
100 limited-edition signed and numbered prints

44" x 21.5"
80 limited-edition signed and numbered prints

76" x 36"
60 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Wood
2006

In the fall of 2006 I was commissioned by Burton Snowboards to paint a mural of Craig Kelly inside of a cabin in one of their very first Stash parks, on the Northstar-at-Tahoe ski resort in California. Craig has always been a hero of mine (and pretty much anyone who snowboards), and it was an honor to paint something dedicated to him.

I wasn't sure what was going to happen when I went up there. What started as a job quickly turned into an experience. Every day I would drive up to the cabin on the hill to work directly on the wall. I'd fire up the generator for tunes and lights and sequester myself inside while wolves and moose walked noisily around outside, until I was too tired or sore from painting on a 45-degree wall/ceiling to continue.

As the days passed, winter moved in and the snow started to fall. Toward the end, I had to be escorted up to the site by snowmobile and radio down for a pickup. But when two feet of snow fell one night, I decided to bring my board up to the cabin and ride down instead. I will never forget that night. It was a full moon and, after finishing up, I rode down in fresh powder with no lights except the moon, and Craig right there with me.

***

Asymbol has saved this painting. If not for the efforts of many good, honest, hardworking people, the attention starved kids who wrote their nicknames on my original would have won.

THE CRAIG KELLY MEMORIAL SCHOLARSHIP FUND

Between now and the end of February, Asymbol will donate 20% of every purchase of the Craig Kelly Mural to the Craig Kelly Memorial Scholarship Fund. This Scott Lenhardt piece is available as a limited edition print and iPad/laptop skin.

The Craig Kelly Memorial Scholarship Fund was set up to grant a maximum of $1000 each year to individuals who enroll in the Canadian Avalanche Association's Industry Training Program: Avalanche Operations Level II.

Click here for to learn about The Craig Kelly Memorial Scholarship Fund

CLICK HERE to watch video of Scott Lenhardt on his piece, "Breathing Light"

Scott Lenhardt grew up riding at Bromley, the mountain resort founded by Fred Pabst, of Pabst Blue Ribbon. He played bass for ten years in Vermont's best mediocre rock band, Butt Pie, and is the inventor of the highly difficult, and incredibly underrated snowboard trick, the McWindmill. Scott's talent, and ability to paint using ridiculously small brush strokes, has been recognized and commissioned by Burton, Nike, Adidas, Mountain Dew, and Phish guitarist Trey Anastasio. Scott has two nicknames. One is Skipper. The other has to remain a secret.

>>slenhardt.com

SKIN: DAWN PATROL

Adam Haynes

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Options iPad Skin
  • iPad Skin
  • 13" Skin
  • 15" Skin
  • 17" Skin
Price $25.00

ASYMBOL LAPTOP SKINS: Dawn Patrol by Adam Haynes

Does your laptop look like everyone else's in the coffee shop? Asymbol now offers beautifully designed adhesive art that make your Mac or PC stand out from the crowd. Our laptop skins are made of high quality coated adhesive vinyl printed at an ultra high resolution. These functional works of art protect your rig from abrasion, scratches and wear. They are easy to apply and when you need a change up, they come off leaving no residue.

13", 15" and 17" sizes available

Adam Haynes started painting on wood when he stumbled across some old trophy plaques at a junk store and took them home because he liked the shape of them. After a while, he found he liked painting on recycled surfaces, with their character, their worn panels, chipping colors and old stories. Haynes paints like you would on a computer: flat, building depth and space through layers of color, no blending allowed. Only you can't get texture like that on a computer.

Born and raised in the foothills of the central Oregon Cascades, Adam gained an early appreciation for rural living and the great outdoors. Although primarily a freelance commercial illustrator, he likes to balance things out by painting original pieces that explore the interaction between nature and human encroachment. His work is heavily influenced by his travels and wanderings throughout the Pacific Northwest mountain ranges, forests, and deserts.

Adam is based in Bend, Oregon, has shown at galleries in LA, Portland and Seattle, and stays busy with illustration projects for Nike 6.0, Adidas, Merrell, Gnu, Grenade, Fuel TV, ESPN, and Tonka.

SKIN: TR 2012

Mike Parillo

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Options iPad Skin
  • iPad Skin
  • 13" SKIN
  • 15" SKIN
  • 17" SKIN
Price $25.00

ASYMBOL LAPTOP & iPAD SKINS: TR 2012 by Mike Parillo

Does your laptop look like everyone else's in the coffee shop? Asymbol now offers beautifully designed adhesive art that make your Mac or PC stand out from the crowd. Our laptop skins are made of high quality coated adhesive vinyl printed at an ultra high resolution. These functional works of art protect your rig from abrasion, scratches and wear. They are easy to apply and when you need a change up, they come off leaving no residue. Mike Parillo picked his 10 favorite images, using some from the Asymbol core collection and a few from his personal collection. We can also create custom laptop skins! An amazing universal Christmas present that anyone would dig!

13", 15" and 17" sizes available

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

SKIN: Vaporize

Bryan Iguchi

Options
Options iPad Skin
  • iPad Skin
  • 13" skin
  • 15" skin
  • 17" skin
Price $25.00

ASYMBOL LAPTOP & iPAD SKINS: Vaporize by Bryan Iguchi

Does your laptop look like everyone else's in the coffee shop? Asymbol now offers beautifully designed adhesive art that make your Mac or PC stand out from the crowd. Our laptop skins are made of high quality coated adhesive vinyl printed at an ultra high resolution. These functional works of art protect your rig from abrasion, scratches and wear. They are easy to apply and when you need a change up, they come off leaving no residue.

13", 15" and 17" sizes available

Deer Stream

Scott Lenhardt

Options
Options 24"x18.75"~ 100 limited-edition signed
  • 24"x18.75"~ 100 limited-edition signed
Price $169.00

24" x 18.75"
100 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Wood
2001

This is my favorite from a series of about 10 very small paintings I made about nothing. The idea came from the book Siddhartha. Sitting by a stream listening to the conversation of the water, you can hear a million voices, yet there is only one stream. Very Zen. It is about bringing together opposites, in the way that it is painted, as well as the subject matter.

I was getting really into this technique of using a small brush, and slowly building and blending together colors and values through super small strokes. Compulsively going after that value of color that is the perfect in-between, or grey, which is technically impossible because you can always divide a half in half, on into infinity. So in the end there is a creature standing in a forest so still, next to a stream of water so fast. And they work together as one piece.

CLICK HERE to watch video of Scott Lenhardt on his piece, "Breathing Light"

Scott Lenhardt grew up riding at Bromley, the mountain resort founded by Fred Pabst, of Pabst Blue Ribbon. He played bass for ten years in Vermont's best mediocre rock band, Butt Pie, and is the inventor of the highly difficult, and incredibly underrated snowboard trick, the McWindmill. Scott's talent, and ability to paint using ridiculously small brush strokes, has been recognized and commissioned by Burton, Nike, Adidas, Mountain Dew, and Phish guitarist Trey Anastasio. Scott has two nicknames. One is Skipper. The other has to remain a secret.

>>slenhardt.com

Family Roots

Mike Parillo

Options
Options 18" x 24" ~ edition of 30
  • 18" x 24" ~ edition of 30
Price $169.00

18" x 24"
Edition of 30 - Signed, Embossed and Numbered

Archival pigment print on 300gsm cotton rag


Original: Acrylic on Oak Panel, 36" x 48"
2012

Painted in August of 2012, Mike brought this style out of hiding after many years to do this piece for a close friend. Asymbol is now offering this new image in a small edition of only thirty prints.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

For Jamil

Mike Parillo

Options
Options 24"X20.5"~100 limited-edition signed
  • 24"X20.5"~100 limited-edition signed
  • 43"x36"~80 limited-edition signed
  • 60.5"x50"~60 limited-edition signed
Price $179.00

24" x 20.5"
100 limited-edition signed and numbered prints

43" x 36"
80 limited-edition signed and numbered prints

60.5" x 50"
60 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Oil on Canvas
Summer, 1998 & 2000

The first time I painted these eyes, I was living in Jackson. It was the summer of 1998 and I was just about to leave for Europe for my first time. The drawing was my reaction to Jamil Khan's passing that winter and ended up being the graphic for the 2000 Burton Balance board. It was the first painting I ever offered up as a complete piece. There was no board shape; it was just, "This is it: take it or leave it."

Terje rode the hell out of this board. It came out the same year he made The Haakonsen Faktor, so it was pictured in almost every video part and magazine photo he was in that season, which was a lot. Still, it is amazing to me how people still remember and have feelings for this graphic, all these years later.

This painting here is not that exact painting. This is my second one, hence the roman numeral II on the bottom. The truth is that I lost touch with the first painting, and knowing that I would never see it again, or be able to share it with anyone, upset me so much that I decided to paint it again. This piece has the same passion behind it and was created with the same intention as the original. It will always make me smile and reminisce about the amazing people I have known and the wonderful times I was lucky to share with them. The fact that I painted it twice is a testament to that.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Hydrocycle

Mike Parillo

Options
Options 18"x24"~100 limited-edition signed
  • 18"x24"~100 limited-edition signed
  • 36x47.5"~80 limited-edition signed
  • 50x66"~60 limited-edition signed
Price $179.00

18" x 24"
100 limited-edition signed and numbered prints

36" x 47.5"
80 limited-edition signed and numbered prints

50" x 66"
60 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag


Original: Acrylic on canvas

This painting is my second collaboration with T. Rice, painted in New Zealand during the final year filming for That's It, That's All and finished in Prague, Czech Republic, a few weeks after, during a personal water fast. The theme put on the table by Travis was the Earth's Hydrological cycle and man's influence on it. In this age of Global Warming the topic was easy to approach and the story easily told. Some elements of the surroundings in New Zealand made their way into the piece: MT Cook in the background, the jagged coastline of the island and the Moon that eclipsed as I painted it in. This piece also lives in Travis' Jackson home amongst his growing collection.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Jamie Lynn Portrait

Matt French

Options
Options 24"x39.5"~100 limited-edition signed
  • 24"x39.5"~100 limited-edition signed
Price $269.00

24" x 39.5"
100 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Masonite
2006

I'm not much of a planner. I don't go into a piece with everything mapped out; I just kind of wing it. Sometimes it works. This is one of my favorite portraits. I had this picture of Jamie: he was wearing a baseball cap pulled way down. That was kind of his deal then. You'd always see him walking around like that.

There was this shadow coming down over his face that brought this sort of secrecy into the picture. That was the inspiration. The original photo doesn't have a black background, but once I saw the shadow I had to put black everywhere. I actually started by painting the whole thing black, and then just kind of brought him out of the darkness. I love this because there's this anonymity there, but you still know it's Jamie.

And that's him, that's who he is. It's not like when you see him around he's like, "Hi! I'm Jamie!" He's just super low-key, but still fully in effect. Like a silent fart.

Some people carry within their spiraling DNA strands, a genetic code for creativity. It's passed down from the generations that came before them, and to the ones that follow after. Whether they like it or not.

Matt French has been drawing since the beginning of time. A former graffiti artist turned board graphic/poster/t-shirt/everything adorner, his style is wild. When it isn't precise. Boldly colored, when it isn't black and white. You may know his artistic stylings from such companies as: Lib Tech, Volcom, Gnu, Bent Metal, Pocket Pistols Skates, and more. Or then again, you may not.

He likes skateboarding and art. And sometimes snowboarding. Not necessarily in that order.

Moonlit Polihale

Jamie Lynn

Options
Options 24"x17"~100 limited-edition signed
  • 24"x17"~100 limited-edition signed
  • 44"x30"~70 limited-edition signed
Price $169.00
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24" x 17"
100 limited-edition signed and numbered prints

44" x 30"
70 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Masonite
2002

On the west side of Kauai there is a long, empty stretch of beach called Polihale. I happened to be on a trip to the island once, in the mid- to late '90s, at the same time as Bryan Iguchi, and we decided to go camp out and play on the beach there one night. There was a full moon out and it lit up the ocean so bright that we were actually able to paddle out and surf.

I just have this snapshot in my head from being out there, looking back at the ocean and seeing this wave crest and break in the moonlight. Just the richness of these incredible turquoise-blue colors as they went into the barrel and the plume of spray that whipped off the top of the wave made such a striking image, it left a big imprint on my mind. I had to paint it.

Jamie M. Lynn is one of the most universally respected, iconic snowboarders of all time. His influence can be seen everywhere in snowboarding, from the way we ride, to the way we think about the art that covers our boards. In the early nineties he brought a power and style to riding mountains that directly shaped the direction and nature of the sport's evolution. Drawing inspiration from skate legends like Neil Blender and Mark Gonzales, he was the first snowboarder to create his own graphics for his pro-model board, and continues to do so to this day. His artistic aesthetic has influenced countless young, aspiring artists over the last two decades.

Jamie is a creative force, no matter what the instrument, be it paintbrush, snowboard, or guitar. A true son of the Pacific Northwest, he is a soft-spoken man with a humble spirit and a huge heart. He lives in Seattle, Washington.

Powers 2000

Scott Lenhardt

Options
Options 15"x60"~100 limited-edition signed
  • 15"x60"~100 limited-edition signed
Price $299.00

Acrylic on Wood
2000

This was a snowboard graphic that I did for Ross Powers' first Burton pro model, which came out in 2000.

I grew up riding at Bromley Mountain in Vermont, which is a pretty small spot, but with very cool terrain. Ross' mom ran (and still runs, I think) the cafeteria there. We rode together many days, and I was always impressed with his determination to dial the perfect run. Even just riding the trails he would hit the same jumps and do the same tricks, all day, until he perfected it. You could bet on seeing a frontside melon off of the kicker by lift tower 17, and a backside three off of the knoll by the weird tree on Twister.

We got together to brainstorm, and I showed him pictures of a mural that I had just completed for a private home. He liked the way the water in the painting turned into the land, so we took that and went from there.

I really like this graphic. Not only because it was located mainly on the nose of the board (a big no no for TV sponsorship placement), but because it started what would be one of my favorite collaborations to date. Ross and I worked together on five more signature models after this, including the board he rode to win Olympic gold the first year snowboarding was allowed in. That was a big one for me to see. It made my parents very proud.

15" x 60"
100 limited-edition signed and numbered prints

CLICK HERE to watch video of Scott Lenhardt on his piece, "Breathing Light"

Scott Lenhardt grew up riding at Bromley, the mountain resort founded by Fred Pabst, of Pabst Blue Ribbon. He played bass for ten years in Vermont's best mediocre rock band, Butt Pie, and is the inventor of the highly difficult, and incredibly underrated snowboard trick, the McWindmill. Scott's talent, and ability to paint using ridiculously small brush strokes, has been recognized and commissioned by Burton, Nike, Adidas, Mountain Dew, and Phish guitarist Trey Anastasio. Scott has two nicknames. One is Skipper. The other has to remain a secret.

>>slenhardt.com

Red Tetons

Mike Parillo

Options
Options 24"x21"~100 limited-edition signed
  • 24"x21"~100 limited-edition signed
  • 42"x36"~80 limited-edition signed
  • 58.75"x50"~60 limited-edition signed
Price $189.00

24" x 21"
100 limited-edition signed and numbered prints

42" x 36"
80 limited-edition signed and numbered prints

58.75" x 50"
60 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Oil on Linen
February 1997

I first moved to Jackson Hole in the winter of 1996/97. This was a time of great change and transition for me: I was transitioning from riding parks to riding real mountains and changing up my mediums, using oil for the first time in my work. I set up a studio in the house I shared with Bryan Iguchi on Hard Winter Lane, built a massive canvas using linen, and waited for the right idea to come.

Every day I was in awe of the beauty around me, and as cliché as it may seem, the obvious symbol of everything I was experiencing at that time was the Teton mountain range, right in my backyard. Nothing I had ever seen gave me the feeling that I got when I stood in front of it. And so the piece began.

I feel like I spent three months working and reworking this painting until it finally felt right. For me, this represents everything I love about Jackson, its magic and its allure. I still love to see it to this day—this painting and the real thing.

This piece lives in Seattle now with my dear friend Pete Saari, one of the genius founders of Mervin Manufacturing.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Rocket Fuel

Jamie Lynn

Options
Options 28"x36"~70 limited-edition signed
  • 28"x36"~70 limited-edition signed
Price $289.00

28" x 36"
70 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Masonite
2007

A big part of me getting inspired to paint is having a tall cup of coffee. It comes from growing up in Seattle. It's just a daily part of our routine up there. Actually, I really owe the habit to Circe Wallace, who is a serious coffee connoisseur. She got me an espresso machine back when she used to work at Starbucks and got me completely hooked.

This painting is a product of jet lag. I was up at three in the morning over in Munich, Germany one time, and drew this into a book I'd brought with me. It was just a simple pencil sketch. I like to go through my old art books sometimes to rediscover old ideas for new paintings. I came across this one a couple years back and really wanted to paint it, just for myself, just to see it come to life on a full canvas.

Later Mark Landvik asked me if I had any paintings he could use for a board graphic, and this one popped into my head. He put it on his 2008 pro model.

Jamie M. Lynn is one of the most universally respected, iconic snowboarders of all time. His influence can be seen everywhere in snowboarding, from the way we ride, to the way we think about the art that covers our boards. In the early nineties he brought a power and style to riding mountains that directly shaped the direction and nature of the sport's evolution. Drawing inspiration from skate legends like Neil Blender and Mark Gonzales, he was the first snowboarder to create his own graphics for his pro-model board, and continues to do so to this day. His artistic aesthetic has influenced countless young, aspiring artists over the last two decades.

Jamie is a creative force, no matter what the instrument, be it paintbrush, snowboard, or guitar. A true son of the Pacific Northwest, he is a soft-spoken man with a humble spirit and a huge heart. He lives in Seattle, Washington.

Sailing On

Nick Russian

Options
Options 43"x24"~43 limited-edition signed
  • 43"x24"~43 limited-edition signed
Price $249.00

43" x 24"
43 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Canvas
1998

Big Sky was commissioned by a friend. He bought the canvas and paints. I had just read some climbing books, like Into Thin Air, and I was inspired to draw this scary looking high mountain scene. It's an Everest theme, but a made up mountain—a really frightening made up mountain. Pete Saari owns this painting now.

Sailing On is basically a continuation of the style I was trying to develop with The Big Sky. A lot of the paintings I've done I just gave up on. Eventually, I just moved on to a different style because I couldn't make the one I was trying to pull off work. The reason I really like these two is because I created them using a made-up layering process that I'd never seen before. I actually started doing it almost on accident, just from pushing myself to try something new.

The cool part about these two pieces is they show something I traditionally put in most of my paintings, which is the color white. The lines and streaks here are all white lines, which is pretty characteristic of what I still do.

If you were snowboarding in the early nineties, and were lucky enough to have a Lib Tech snowboard with an original custom-painted art top, Nick Russian was the man who decorated your board. An artist since grade school, and skateboarder since the age of 13, Nick's creative roots are deeply buried in skate-culture soil. He went to work for Mervin Manufacturing in 1991, where his experimentation with multiple mediums, ideas, and art techniques lead him to develop an artistic style that has adorned the bases and top sheets of a ridiculous number of snowboards. Basically, if you've seen a Lib Tech board, you've seen Nick Russian's work.

Nick currently lives in Port Angeles, Washington with his wife and two kids. He paints constantly, using a wide range of mediums, from acrylic to oil to watercolor to collage, but thinks that his work as a bike messenger in Seattle in 1999 was truly the greatest thing he's ever done.

2013 Ultra Natural Poster

Adam Haynes

Options
Options Open Edition - 17"x27.5"
  • Open Edition - 17"x27.5"
Price $55.00

17" x 27.5"

Open Edition Prints

Archival Pigment Print & Mixed Media on 300 gsm Cotton Rag

Red Bull Ultra Natural represents the pinnacle of freeriding competition, pitting the best snowboarders in the world against one of the most challenging courses in the world at Baldface Lodge in British Columbia.

To commemorate the 2013 Ultra Natural, Travis Rice personally selected artist and rider Adam Haynes to create an original work of art in his inimitable style, paying homage to the sheer insanity that is the Ultra Natural course.

Adam Haynes started painting on wood when he stumbled across some old trophy plaques at a junk store and took them home because he liked the shape of them. After a while, he found he liked painting on recycled surfaces, with their character, their worn panels, chipping colors and old stories. Haynes paints like you would on a computer: flat, building depth and space through layers of color, no blending allowed. Only you can't get texture like that on a computer.

Born and raised in the foothills of the central Oregon Cascades, Adam gained an early appreciation for rural living and the great outdoors. Although primarily a freelance commercial illustrator, he likes to balance things out by painting original pieces that explore the interaction between nature and human encroachment. His work is heavily influenced by his travels and wanderings throughout the Pacific Northwest mountain ranges, forests, and deserts.

Adam is based in Bend, Oregon, has shown at galleries in LA, Portland and Seattle, and stays busy with illustration projects for Nike 6.0, Adidas, Merrell, Gnu, Grenade, Fuel TV, ESPN, and Tonka.

Alien Self Portrait

Jamie Lynn

Options
Options 18 x 24 Electric Blue
  • 18 x 24 Electric Blue
  • 18 x 14 coral
  • 18 x 24 Custom Electric Blue & Gold
  • 18 x 24 Custom coral & gold
Price $59.00

INTRODUCING THE ASYMBOL HAND MADE SERIES

First in the Hand Made Series is "Alien Self Portrait" by Jamie Lynn.

Two versions of this ready-to-hang Jamie Lynn piece are available in two colors each.

The standard version: One color screen print on 3/4" stretched 18"x 24" black gesso canvas.

The custom version: One color screen print on 3/4" stretched 18"x 24" black gesso canvas, enhanced with hand-painted elements by Mike Parillo.

Each piece features unique variations and details and are hand pulled at the Asymbol studio.

A limited quantity of each version are available now.

Jamie M. Lynn is one of the most universally respected, iconic snowboarders of all time. His influence can be seen everywhere in snowboarding, from the way we ride, to the way we think about the art that covers our boards. In the early nineties he brought a power and style to riding mountains that directly shaped the direction and nature of the sport's evolution. Drawing inspiration from skate legends like Neil Blender and Mark Gonzales, he was the first snowboarder to create his own graphics for his pro-model board, and continues to do so to this day. His artistic aesthetic has influenced countless young, aspiring artists over the last two decades.

Jamie is a creative force, no matter what the instrument, be it paintbrush, snowboard, or guitar. A true son of the Pacific Northwest, he is a soft-spoken man with a humble spirit and a huge heart. He lives in Seattle, Washington.

ALOHA BITCHES

Mike Parillo

Options
Options 30" x 30" ~10 limited-edition signed
  • 30" x 30" ~10 limited-edition signed
Price $325.00

orignal: 36" x 36" (91.5cm x 91.5cm) print: 30" x 30" (76.2cm x 76.2cm)
10 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Canvas
Fall 2012

Reckless Optimism, composed of sixteen new works created in 2012, is a shimmering collection of the aesthetic that he has compounded into a mine of carefully blended hues, shapes, and imagery. The narrative of the world perceived by the senses that Parillo paints is more than the archetypal tale of success and pitfalls. Referencing a color key that he created exclusively for the series, each burst of color denotes a particular emotion experienced as one grasps or strays from the trajectory that he or she has set for the self to follow. Bright, inviting cloud-like forms obscure the view from the bottom, and slick, shiny forms distort the top, creating a path for the invisible viewer which is hardly navigated but rather is tripped through blindly, tempted by beauty, promises, and an illusory - if not deceitful freedom. Along the way one is guided by equally lurid symbols of wisdom - best seen from midway through a sharp fall off the top of the proverbial mountain.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

ASYMBOL OWL

Hydro74

Options
Options 24 x 36 Edition of 12 Gold
  • 24 x 36 Edition of 12 Gold
  • 24 x 36 Original Blue Framed
  • 24 x 36 Edition of 12 Blue
Price $199.00
Print:
  • Signed Edition of 12
  • 24 x 36
  • Three color screen print on BFK. Available in Blue and Gold.
  • $199
 Original: Gold-SOLD
  • 24 x 36
  • Three color screen print on BFK. Edition 1. Available in Blue and Gold.
  • 2012
  • $666

The Purveyor of Sin.
What does it mean? Well, the basics are simple. Purveyor means in the simplest form, 'provider' and the sin is the hours I work to define my skills and offer them to those willing to pay for it. It is the best representation of my personal vision for Hydro74.

Hydro74 | MCMLXXIV

Hydro74 is a Orlando based designer, otherwise known as Joshua M. Smith. The soul purpose of my career is to push the boundries in doing what I feel is relevant to the market as well as extract various elements and trends to be able to offer them up in my own personal work. But let's be honest. I do what I love because I love it. Not because I have to do it, nor am forced to do it, but rather passionate about doing what I do. I firmly believe in having set style tones, yet a sense of diversity to make any various project unique to the demands that are set forth.

Type Treaments & Branding

Typography is far more than just a simple addition to a product or brand, it is what sets the tone for the entire piece. Each letter has a way of reacting and uniting to form meaningful, powerful words that embrace a sense of emotion or power. With that knowledge, producing pieces that best represent the needs is what Hydro74 prides itself on to help other brands find their identity and voice, philosophically and aesthetically. Apparel Development
Apparel is a amazing medium that is widely embraced by masses to best symbolize one's individuality while conforming to various cliques. This is something I fully understand and appreciate. Even to the point that a close friend & I put on a T-Shirt Gallery Show that grows in attendence and online with each new version that is produced. Apparel is everything that is meaningful in design because it is a common bond everyone shares and voices our most inner feelings without having to openly state it each and every time we speak. It is the true cog in the wheel of conformity that allows us the illusion of individuality and our own personal choice to be unique in this very common world. Illustration
.

Complexity and a fluid organic approach is what is highly valued in each and every piece. A Illustration to me is something that tells a story with out words needed. It builds a bond with the viewer who will either get it, or find it horrible, yet, the interaction is what is desired when doing a piece. Some Illustrations are trend based iconic structures meant to embrace the masses to encourage sales, while others are explorations turned to symbolic ideas on paper or fabric. Illustration is something I find deep meaning in.

Don't be a lazy ass designer and rip off or live trace my work. Those designers are the pleague of design and should have their fingers broken and banned from the profession.

BIOLOGY IS THE LAW

Carl E. Smith

Options
Options 36 x 24 Edition of 12
  • 36 x 24 Edition of 12
  • 36 x 24 Original
Price $269.00
Print:
  • Signed Edition of 12
  • 36 x 24
  • Archival Pigment Print on 300 gsm Cotton Rag
  • $269
 Original:
  • 36 x 24
  • Collage on canvas, custom framed
  • 2012
  • $999

Carl E. Smith is a designer and artist. He has worked professionally in the action sports industry since 1995. After positions as head art director and subsequently creative director at Electric Visual, Smith went on to launch his own design and fine art projects in 2010; CES/D and CES/C. CES Design continues Carl's work in commercial design with global clients across industries. CES Contemporary joins forces with emerging international artists to propel them and their work through the contemporary art world and into the public eye. In both, Smith promotes an atmosphere in which creative individuals can feel nurtured to sync and collaborate towards common goals. Smith also continues to create his own original fine art works, realized primarily as collages conveying the beauty, excitement, ruin and rebirth of iconic elements from our everyday lives. Using symbol, color and space, he creates explosive images that live between archetypal fantasy and truth. Carl E. Smith was born and raised in the artist colony of Laguna Beach, California, and lived in Prague, Czech Republic from 1997 to 2004. He currently works and resides in both with his wife, Simona, and son, Sean.

BREATHING LIGHT

Scott Lenhardt

Options
Options 36 x 24 Edition of 12
  • 36 x 24 Edition of 12
  • 36 x 24 original
Price $269.00
Print:
  • Signed Edition of 12
  • 36 x 24
  • Archival Pigment Print on 300 gsm Cotton Rag
  • $269
 Original:
  • 36 x 24
  • Acrylic on Canvas
  • 2012
  • $1300

CLICK HERE to watch video of Scott Lenhardt on his piece, "Breathing Light"

Scott Lenhardt grew up riding at Bromley, the mountain resort founded by Fred Pabst, of Pabst Blue Ribbon. He played bass for ten years in Vermont's best mediocre rock band, Butt Pie, and is the inventor of the highly difficult, and incredibly underrated snowboard trick, the McWindmill. Scott's talent, and ability to paint using ridiculously small brush strokes, has been recognized and commissioned by Burton, Nike, Adidas, Mountain Dew, and Phish guitarist Trey Anastasio. Scott has two nicknames. One is Skipper. The other has to remain a secret.

>>slenhardt.com

DAWN PATROL

Adam Haynes

Price $0.00

EDITION SOLD OUT

Print:

  • Signed Edition of 12
  • 36 x 24
  • Archival Pigment Print on 300 gsm Cotton Rag
  • $299
 Original: SOLD
  • 36 x 24
  • Acrylic on Panel
  • 2012
  • $1,600

Adam Haynes started painting on wood when he stumbled across some old trophy plaques at a junk store and took them home because he liked the shape of them. After a while, he found he liked painting on recycled surfaces, with their character, their worn panels, chipping colors and old stories. Haynes paints like you would on a computer: flat, building depth and space through layers of color, no blending allowed. Only you can't get texture like that on a computer.

Born and raised in the foothills of the central Oregon Cascades, Adam gained an early appreciation for rural living and the great outdoors. Although primarily a freelance commercial illustrator, he likes to balance things out by painting original pieces that explore the interaction between nature and human encroachment. His work is heavily influenced by his travels and wanderings throughout the Pacific Northwest mountain ranges, forests, and deserts.

Adam is based in Bend, Oregon, has shown at galleries in LA, Portland and Seattle, and stays busy with illustration projects for Nike 6.0, Adidas, Merrell, Gnu, Grenade, Fuel TV, ESPN, and Tonka.

HAPPILY EVER AFTER

Mike Parillo

Options
Options 20" x 20" ~10 limited-edition signed
  • 20" x 20" ~10 limited-edition signed
Price $275.00

orignal: 24" x 24" (61cm x 61cm) print: 20" x 20" (51cm x 51cm)
10 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Canvas
Fall 2012

Reckless Optimism, composed of sixteen new works created in 2012, is a shimmering collection of the aesthetic that he has compounded into a mine of carefully blended hues, shapes, and imagery. The narrative of the world perceived by the senses that Parillo paints is more than the archetypal tale of success and pitfalls. Referencing a color key that he created exclusively for the series, each burst of color denotes a particular emotion experienced as one grasps or strays from the trajectory that he or she has set for the self to follow. Bright, inviting cloud-like forms obscure the view from the bottom, and slick, shiny forms distort the top, creating a path for the invisible viewer which is hardly navigated but rather is tripped through blindly, tempted by beauty, promises, and an illusory - if not deceitful freedom. Along the way one is guided by equally lurid symbols of wisdom - best seen from midway through a sharp fall off the top of the proverbial mountain.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Hydro74 Art of Flight Tour Poster

Hydro74

Options
Options blue & orange
  • blue & orange
  • Gold & Navy
  • Teal & Gun Metal
  • Electric Orange & Gun Metal
  • blue & gold
  • Silver & Black
  • Yellow & Army Green
Price $35.00
22"x30"

As seen on the 47-stop premiere tour, our collaborative project with renowned graphic artist Hydro 74. The Art Of Flight world tour hand-pulled screen prints are offered here for.

a limited time. Each is a one of a kind, two-color, large format poster with a selection of colorways layered on french print-making paper. Each two-color combination was chosen by our creative director, Mike Parillo

The Purveyor of Sin.
What does it mean? Well, the basics are simple. Purveyor means in the simplest form, 'provider' and the sin is the hours I work to define my skills and offer them to those willing to pay for it. It is the best representation of my personal vision for Hydro74.

Hydro74 | MCMLXXIV

Hydro74 is a Orlando based designer, otherwise known as Joshua M. Smith. The soul purpose of my career is to push the boundries in doing what I feel is relevant to the market as well as extract various elements and trends to be able to offer them up in my own personal work. But let's be honest. I do what I love because I love it. Not because I have to do it, nor am forced to do it, but rather passionate about doing what I do. I firmly believe in having set style tones, yet a sense of diversity to make any various project unique to the demands that are set forth.

Type Treaments & Branding

Typography is far more than just a simple addition to a product or brand, it is what sets the tone for the entire piece. Each letter has a way of reacting and uniting to form meaningful, powerful words that embrace a sense of emotion or power. With that knowledge, producing pieces that best represent the needs is what Hydro74 prides itself on to help other brands find their identity and voice, philosophically and aesthetically. Apparel Development
Apparel is a amazing medium that is widely embraced by masses to best symbolize one's individuality while conforming to various cliques. This is something I fully understand and appreciate. Even to the point that a close friend & I put on a T-Shirt Gallery Show that grows in attendence and online with each new version that is produced. Apparel is everything that is meaningful in design because it is a common bond everyone shares and voices our most inner feelings without having to openly state it each and every time we speak. It is the true cog in the wheel of conformity that allows us the illusion of individuality and our own personal choice to be unique in this very common world. Illustration
.

Complexity and a fluid organic approach is what is highly valued in each and every piece. A Illustration to me is something that tells a story with out words needed. It builds a bond with the viewer who will either get it, or find it horrible, yet, the interaction is what is desired when doing a piece. Some Illustrations are trend based iconic structures meant to embrace the masses to encourage sales, while others are explorations turned to symbolic ideas on paper or fabric. Illustration is something I find deep meaning in.

Don't be a lazy ass designer and rip off or live trace my work. Those designers are the pleague of design and should have their fingers broken and banned from the profession.

Hydro74 Tour Poster Riders' Slasher Edition

Hydro74

Options
Options Riders' Slasher Ltd. Edition
  • Riders' Slasher Ltd. Edition
Price $199.00
22"x30"
99 signed limited-edition, numbered prints

As seen on the 47-stop premiere tour, this large-format poster on french print-making paper is our collaborative project with renowned graphic artist Hydro 74.

The Riders' Slasher Limited Edition is Travis' gift to the entire cast and crew of The Art of Flight. These three-color hand-pulled screen prints have a third glow in the dark layer created by Hydro 74. Each poster was signed by the riders and director, Curt Morgan. This was a limited-edition run of 99, and after the distribution of prints to the dedicated team behind the film, only 50 are for sale. Get em while they're hot!

The Purveyor of Sin.
What does it mean? Well, the basics are simple. Purveyor means in the simplest form, 'provider' and the sin is the hours I work to define my skills and offer them to those willing to pay for it. It is the best representation of my personal vision for Hydro74.

Hydro74 | MCMLXXIV

Hydro74 is a Orlando based designer, otherwise known as Joshua M. Smith. The soul purpose of my career is to push the boundries in doing what I feel is relevant to the market as well as extract various elements and trends to be able to offer them up in my own personal work. But let's be honest. I do what I love because I love it. Not because I have to do it, nor am forced to do it, but rather passionate about doing what I do. I firmly believe in having set style tones, yet a sense of diversity to make any various project unique to the demands that are set forth.

Type Treaments & Branding

Typography is far more than just a simple addition to a product or brand, it is what sets the tone for the entire piece. Each letter has a way of reacting and uniting to form meaningful, powerful words that embrace a sense of emotion or power. With that knowledge, producing pieces that best represent the needs is what Hydro74 prides itself on to help other brands find their identity and voice, philosophically and aesthetically. Apparel Development
Apparel is a amazing medium that is widely embraced by masses to best symbolize one's individuality while conforming to various cliques. This is something I fully understand and appreciate. Even to the point that a close friend & I put on a T-Shirt Gallery Show that grows in attendence and online with each new version that is produced. Apparel is everything that is meaningful in design because it is a common bond everyone shares and voices our most inner feelings without having to openly state it each and every time we speak. It is the true cog in the wheel of conformity that allows us the illusion of individuality and our own personal choice to be unique in this very common world. Illustration
.

Complexity and a fluid organic approach is what is highly valued in each and every piece. A Illustration to me is something that tells a story with out words needed. It builds a bond with the viewer who will either get it, or find it horrible, yet, the interaction is what is desired when doing a piece. Some Illustrations are trend based iconic structures meant to embrace the masses to encourage sales, while others are explorations turned to symbolic ideas on paper or fabric. Illustration is something I find deep meaning in.

Don't be a lazy ass designer and rip off or live trace my work. Those designers are the pleague of design and should have their fingers broken and banned from the profession.

Never Give Up

Mike Parillo

Options
Options 24" x 30" ~10 limited-edition signed
  • 24" x 30" ~10 limited-edition signed
Price $325.00

orignal: 30" x 40" (76.2cm x 101.6cm) print: 24" x 30" (60.96cm x 76.2cm)
10 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Canvas
Fall 2012

Reckless Optimism, composed of sixteen new works created in 2012, is a shimmering collection of the aesthetic that he has compounded into a mine of carefully blended hues, shapes, and imagery. The narrative of the world perceived by the senses that Parillo paints is more than the archetypal tale of success and pitfalls. Referencing a color key that he created exclusively for the series, each burst of color denotes a particular emotion experienced as one grasps or strays from the trajectory that he or she has set for the self to follow. Bright, inviting cloud-like forms obscure the view from the bottom, and slick, shiny forms distort the top, creating a path for the invisible viewer which is hardly navigated but rather is tripped through blindly, tempted by beauty, promises, and an illusory - if not deceitful freedom. Along the way one is guided by equally lurid symbols of wisdom - best seen from midway through a sharp fall off the top of the proverbial mountain.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

OBSOLETE DREAMS

Corey Smith

Options
Options 24 x 36 Edition of 12
  • 24 x 36 Edition of 12
Price $269.00
Print:
  • Signed Edition of 12
  • 24 x 36
  • Archival Pigment Print with glow-in-the-dark screen print on 300 gsm cotton rag
  • $269
 Original: SOLD
  • 24 x 36
  • Mixed media, glow-in-the-dark acrylic on wood panel with matte and gloss finish
  • 2012
  • $1,600

Corey Smith is a painter, sculptor, and photographer from Portland, OR, who currently resides in Los Angeles, CA. His paintings and photography have appeared in countless print magazines and online sources. His works have been shown in galleries across the country, including Upper Playground (Portland, OR), Versus (Los Angeles), On Six (San Francisco), KCDC (New York City), and the Orange County Museum of Art.

Smith's high-gloss, ultra-flat paintings capture the joys of plasticity and pre-fab environments, celebrity as the ultimate blank canvas, and the absurd hyperboles of modern leisure. But rather than repackage the manufactured world into an aestheticized form-a la post-Warholian Pop-Smith favors a post-Pop approach that brings into day-glo focus the dark vision at the corner of the spectator's eye. The paintings find their subject in the tension between the works' fatalistic undercurrents and the celebratory aura created by Smith's use of bold color and bright-lined contour.

His sculptures and mixed media works develop some of these same themes, but rather than map plasticity onto flat canvas, Smith instead maps flatness onto plastic forms-whether by painting across arrays of commercially molded objects or by making use of the naturally deflective precision-cut panes of modern machinery.

Smith's photography develops some of the same themes as his sculpture and painting-surface, extremity-but abandons ironies for a more intimate perspective. Most of his subjects are close friends or lovers, and Smith documents them at points where excess bleeds either into empathy or its impossibility, and where the romance of abandon intersects with abandonment.

His works are a Death Valley realism, infused with both sunny Californian optimism and morbid premonition. This is awful, deeply wrong, utterly fantastical stuff-a distillation of a time, a place, and a generation that are always already beside themselves.

RED FLAGS

Mike Parillo

Options
Options 24 x 36 Edition of 12
  • 24 x 36 Edition of 12
Price $269.00
Print:
  • Signed Edition of 12
  • 24 x 36
  • Archival Pigment Print on 300 gsm Cotton Rag
  • $269
 Original
  • 24 x 36
  • Acrylic on Canvas
  • 2012
  • $1299

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

SHADOW OF DEATH

Jamie Lynn

Options
Options 24 x 36 Edition of 12
  • 24 x 36 Edition of 12
Price $279.00
Print:
  • Signed Edition of 12
  • 24 x36
  • Archival Pigment Print on 300 gsm Cotton Rag
  • $279
 Original: SOLD
  • 24 x 36
  • Acrylic on canvas
  • 2012
  • $1,600

Jamie M. Lynn is one of the most universally respected, iconic snowboarders of all time. His influence can be seen everywhere in snowboarding, from the way we ride, to the way we think about the art that covers our boards. In the early nineties he brought a power and style to riding mountains that directly shaped the direction and nature of the sport's evolution. Drawing inspiration from skate legends like Neil Blender and Mark Gonzales, he was the first snowboarder to create his own graphics for his pro-model board, and continues to do so to this day. His artistic aesthetic has influenced countless young, aspiring artists over the last two decades.

Jamie is a creative force, no matter what the instrument, be it paintbrush, snowboard, or guitar. A true son of the Pacific Northwest, he is a soft-spoken man with a humble spirit and a huge heart. He lives in Seattle, Washington.

Silverton

Adam Haynes

Options
Options 18"x44"~45 limited-edition signed
  • 18"x44"~45 limited-edition signed
Price $369.00

18" x 44"
45 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Wood
2009

I headed out to Colorado last winter to see an old friend. I hadn't seen her in a long time, so we decided to take a road trip to some of her favorite riding spots. One of these was Silverton, which has always been high on my list of places to visit. I flew into Denver, got in the car, and we drove six hours straight to get there in time to ride the next morning.

It was a sunny semi-pow day, but the real jewel was the terrain and vibe of the place itself. I fell in love with the janky old recycled chairlift, the worn-out Phazer snowmobile half-buried in the mud, the hut at the top, and oh—that ridge line.

A few months later I was preparing a number of new paintings for a show in L.A., and I found an old solid piece of wood behind the dumpster at one of my pickin' yards. I knew what I wanted to paint on it the minute I saw it. The old paint, the expressive wood grain—it was perfect for a tribute painting to Silverton. I put all my favorite parts of that day in there.

Adam Haynes started painting on wood when he stumbled across some old trophy plaques at a junk store and took them home because he liked the shape of them. After a while, he found he liked painting on recycled surfaces, with their character, their worn panels, chipping colors and old stories. Haynes paints like you would on a computer: flat, building depth and space through layers of color, no blending allowed. Only you can't get texture like that on a computer.

Born and raised in the foothills of the central Oregon Cascades, Adam gained an early appreciation for rural living and the great outdoors. Although primarily a freelance commercial illustrator, he likes to balance things out by painting original pieces that explore the interaction between nature and human encroachment. His work is heavily influenced by his travels and wanderings throughout the Pacific Northwest mountain ranges, forests, and deserts.

Adam is based in Bend, Oregon, has shown at galleries in LA, Portland and Seattle, and stays busy with illustration projects for Nike 6.0, Adidas, Merrell, Gnu, Grenade, Fuel TV, ESPN, and Tonka.

Smoke and Mirrors

Mike Parillo

Options
Options 24" x 30"~10 limited-edition signed
  • 24" x 30"~10 limited-edition signed
Price $345.00

original: 48" x 60" (122cm x 152cm) print: 24" x 30" (61cm x 76cm)
10 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Oil and Acrylic on Canvas
Fall 2012

Reckless Optimism, composed of sixteen new works created in 2012, is a shimmering collection of the aesthetic that he has compounded into a mine of carefully blended hues, shapes, and imagery. The narrative of the world perceived by the senses that Parillo paints is more than the archetypal tale of success and pitfalls. Referencing a color key that he created exclusively for the series, each burst of color denotes a particular emotion experienced as one grasps or strays from the trajectory that he or she has set for the self to follow. Bright, inviting cloud-like forms obscure the view from the bottom, and slick, shiny forms distort the top, creating a path for the invisible viewer which is hardly navigated but rather is tripped through blindly, tempted by beauty, promises, and an illusory - if not deceitful freedom. Along the way one is guided by equally lurid symbols of wisdom - best seen from midway through a sharp fall off the top of the proverbial mountain.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Tetons in Blue

Mike Parillo

Options
Options 28.5" x 24"~50 limited-edition signed
  • 28.5" x 24"~50 limited-edition signed
Price $295.00

28.5" x 24"
50 limited-edition embossed,signed and numbered prints


Archival pigment print on 300gsm cotton rag

Original: Oil on Canvas
Size: 72 x 60
June 1999

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

The TR Spectrum Series

Mike Parillo

Options
Options 12.5" x 17" ~ Series of 3
  • 12.5" x 17" ~ Series of 3
Price $179.00

12.5" x 17"
Mixed Media and Acrylic

The TR Spectrum Series
For his 2012/2013 Lib Tech pro model series, Travis Rice commissioned a collaboration between artists Mike Parillo and Carl E. Smith. Travis sought to represent the opposite spectrums of human cultures and behaviors, juxtaposing images that portray some cultural values as being inherently noble and beautiful against others (Western, in particular) that are seemingly base, fake, and insincere.

After many conceptual discussions between Travis, Mike and Carl, the Spectrum narrative began to take form in three large-scale digital collages using unique symbolic figures and design elements. Once finalized, these collages were output at full size on canvas and stretched onto bars. Mike Parillo added multiple layers of acrylics and oils to enhance the collage and to give the works a new dimension, incorporating extra imagery and colors into the original collages. With Mike's well known original brush strokes and color palette, the works were complete.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

TR 2012

Mike Parillo

Options
Options 13"x17" ~ edition of 100
  • 13"x17" ~ edition of 100
  • 19.5"x24"~100 limited-edition signed
  • 36"x44"~80 limited-edition signed
  • 50"x60"~60 limited-edition signed
Price $59.00

13" x 17"
Embossed and Signed By the Artist, Provenance Included

19.5" x 24"
100 limited-edition signed and numbered prints

36" x 44"
80 limited-edition signed and numbered prints

50" x 60"
60 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag


Original: Acrylic on canvas

This is collaboration number four with Travis for his 2011/12 Lib Tech line. My first back to back graphic for him. This time, the theme is an exploration of nature vs science--all aspects of creation, and man's obsession of extending himself beyond human capability.

For me, the creative process in this piece became the embodiment of the theme itself. I worked for over a month on the initial concept I had, that first came to mind and then I arrived at the place where the painting was my jailer. Knowing better than to stay on that path, I took my favorite step and destroyed hundreds of hours of work and started over on a blank canvas. Within 30 minutes, this explosion of color and energy began to unfold.

Painted in Jackson in the summer of 2010 at the Asymbol facility.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Travis Rice Collection

Mike Parillo

Options
Options 13"x17" ~ Set of 4
  • 13"x17" ~ Set of 4
Price $199.00

13" x 17"
Embossed and Signed By the Artist, Provenance Included


Archival pigment print on 300gsm cotton rag

This first time offer of all FOUR of Travis Rice / Mike Parillo collaboration pieces that were featured on TR's Libtech Pro models from 2006/2007 through 2011/2012. This collection represents a true progression of ideas between friends exploring visual story telling over six years. The FOUR collaboration pieces include Blessings and Confrontations, Hydrocycle, Triangulate What You See, and TR 2012. Now have all FOUR together as one and start your own personal collection!

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

Triangulate What You See

Mike Parillo

Options
Options 13"x17" ~ edition of 100
  • 13"x17" ~ edition of 100
  • 19.5"x24"~100 limited-edition signed
  • 50"x60"~60 limited-edition signed
  • 36"x44"~80 limited-edition signed
Price $59.00

13" x 17"
Embossed and Signed By the Artist, Provenance Included

19.5" x 24"
100 limited-edition signed and numbered prints

36" x 44"
80 limited-edition signed and numbered prints

50" x 60"
60 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag


Original: Acrylic on canvas

Collaboration number three with Travis for his 2010/11 Lib Tech line. Painted at the Iguchi compound in the summer of 2009 after my move back to Jackson from Prague. Travis' concept was simple again, and yet the perfect starting point for this visual story to be told: "The effect of media on the youth of today". Once you understand this, the story in the piece is easy to read. All things gone wrong floating on this island of danger, absolute pleasure, excess and control mixed with the occasional word of sanity and a few messages from Travis and I.

Mike Parillo's first artistic tool was not a paintbrush, it was a shovel. Back when most of us were still falling-leaf heel sliding down bunny hills (or skiing), Parillo was hand crafting snowboarding's first serious terrain parks. From the depths of his imagination, demented shapes and forms were called forth and sculpted into mountains of snow for the leaders of the new school nation to play on. And so it was that the style of snowboarding made a great evolutionary leap, using Parillo's bold inventiveness as a launching pad.

One of the innovators from this early scene, snowboarding legend Jamie Lynn, inspired Parillo to try his hand at painting. Jamie then used one of his first pieces as a graphic for one of the boards in his Lib Tech pro-model series. Volcom used another in their landmark video, The Garden. And the rest, as they say, is history. Parillo has been a creative force, working quietly behind the scenes, ever since. His paintings have been shown in solo shows from Europe to California. His art has been displayed on snowboard bases every year since 1995, adorning many beloved board series like Lib Tech's Emmagator line, Terje's Balance line, Burton's early Customs, and Travis Rice's 2006/07, 2008/09, and forth coming 2010/11 pro models—to name a few.

Parillo now serves as Asymbol's Art Director and Artist Liaison. He is the curator of the entire Asymbol art collection, and is responsible for overseeing the integrity of the art reproduction process. His mission is to ensure that all printed pieces hold up to each artist's highest standards of quality before they get passed on to you.

VAPORIZE

Bryan Iguchi

Options
Options 36 x 24 Original
  • 36 x 24 Original
  • 36 x 24 Edition of 12
Price $1,000.00
Print:
  • Signed Edition of 12
  • 36 x 24
  • Archival Pigment Print on 300 gsm Cotton Rag
  • $269
 Original:SOLD
  • 36 x 24
  • Acrylic and aerosol on panel
  • 2012
  • $1,000
Snowflake

Adam Haynes

Options
Options 44"x21.75"~45 limited-edition signed
  • 44"x21.75"~45 limited-edition signed
Price $369.00

44" x 21.75"
45 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Wood
2009

This piece is a compilation of found objects from winter road trips, and scenes from my imagination. In my experience, it's the simple things in life that give the most pleasure: A semi-reliable old Tucker for getting up the hill, an old trailer that doesn't leak too much, a wood-fired hot tub for soaking sore muscles, and a range of possibilities on the horizon.

Adam Haynes started painting on wood when he stumbled across some old trophy plaques at a junk store and took them home because he liked the shape of them. After a while, he found he liked painting on recycled surfaces, with their character, their worn panels, chipping colors and old stories. Haynes paints like you would on a computer: flat, building depth and space through layers of color, no blending allowed. Only you can't get texture like that on a computer.

Born and raised in the foothills of the central Oregon Cascades, Adam gained an early appreciation for rural living and the great outdoors. Although primarily a freelance commercial illustrator, he likes to balance things out by painting original pieces that explore the interaction between nature and human encroachment. His work is heavily influenced by his travels and wanderings throughout the Pacific Northwest mountain ranges, forests, and deserts.

Adam is based in Bend, Oregon, has shown at galleries in LA, Portland and Seattle, and stays busy with illustration projects for Nike 6.0, Adidas, Merrell, Gnu, Grenade, Fuel TV, ESPN, and Tonka.

The Big Sky

Nick Russian

Options
Options 40.5"x34"~43 limited-edition signed
  • 40.5"x34"~43 limited-edition signed
Price $299.00

40.5" x 34"
43 limited-edition signed and numbered prints

Archival pigment print on 300gsm cotton rag

Original: Acrylic on Canvas
1998

Big Sky was commissioned by a friend. He bought the canvas and paints. I had just read some climbing books, like Into Thin Air, and I was inspired to draw this scary looking high mountain scene. It's an Everest theme, but a made up mountain—a really frightening made up mountain. Pete Saari owns this painting now.

Sailing On is basically a continuation of the style I was trying to develop with The Big Sky. A lot of the paintings I've done I just gave up on. Eventually, I just moved on to a different style because I couldn't make the one I was trying to pull off work. The reason I really like these two is because I created them using a made-up layering process that I'd never seen before. I actually started doing it almost on accident, just from pushing myself to try something new.

The cool part about these two pieces is they show something I traditionally put in most of my paintings, which is the color white. The lines and streaks here are all white lines, which is pretty characteristic of what I still do.

If you were snowboarding in the early nineties, and were lucky enough to have a Lib Tech snowboard with an original custom-painted art top, Nick Russian was the man who decorated your board. An artist since grade school, and skateboarder since the age of 13, Nick's creative roots are deeply buried in skate-culture soil. He went to work for Mervin Manufacturing in 1991, where his experimentation with multiple mediums, ideas, and art techniques lead him to develop an artistic style that has adorned the bases and top sheets of a ridiculous number of snowboards. Basically, if you've seen a Lib Tech board, you've seen Nick Russian's work.

Nick currently lives in Port Angeles, Washington with his wife and two kids. He paints constantly, using a wide range of mediums, from acrylic to oil to watercolor to collage, but thinks that his work as a bike messenger in Seattle in 1999 was truly the greatest thing he's ever done.